#HFF25: ANN AND ME, reviewed
ANN AND ME: OR THE BIG BAD ABORTION PLAY feels like a rallying cry. In every way, it is. But
#HFF25: GRIEF BABY’S FIRST ROAD TRIP, reviewed
Writer/actor/sojourner Adedana Ashebir, goes much farther than she has to in order to feel the father she’s lost to cancer.
#HFF25: THE AMAZING SEX LIFE OF RABBITS, reviewed
In his new original play where a mysterious dinner between two couples erupts into a class war, Michael Shaw Fisher
Why Do We Clap for That? The Strange, Wonderful Things Theatre Audiences Will Always Applaud — OnStage Blog
by Chris Peterson Theatre audiences are a curious species. We pride ourselves on our refined tastes and critical instincts. We
#HFF25: EGGS, reviewed – GiaOnTheMove.com
COPYRIGHT NOTICE All reviews, interviews, essays and other original materials have been written and/or recorded exclusively for Gia On The
#HFF25: GOING HOME, reviews – GiaOnTheMove.com
COPYRIGHT NOTICE All reviews, interviews, essays and other original materials have been written and/or recorded exclusively for Gia On The
What Do You Want in a Revival? Reinvention or a Redo? — OnStage Blog
by Chris Peterson Let’s ask the question: What do you actually want out of a revival? Do you want a
#HFF25: THE MANY LIVES OF LADY M, reviewed
Women were never supposed to rise above their station as Mother and Mute. Definitely not as a circulated author. Yet,
The Time Has Come for a Broadway Revival of ‘Rags’ — OnStage Blog
The story centers on Rebecca Hershkowitz, a Jewish immigrant who arrives in New York at the turn of the twentieth
#HFF25: Pump Up The Volume, reviewed
PUMP UP THE VOLUME, felt as though I was sitting at a high quality proof-of-concept backers audition for the next