MOVIE
Our Land review – superb doc on the right to roam
- By fromermedia@gmail.com
- . May 6, 2026
It’s very rare that you catch a sighting of the c‑word in these august pages, but its usage is warranted in
The Piano Teacher and The Limits of Desire
- By fromermedia@gmail.com
- . May 3, 2026
Romy keeps fantasising about Samuel, and it’s implied that BDSM now plays some role in her marriage. But, as in
History Chasing Its Tail: On Jocelyne Saab’s…
- By fromermedia@gmail.com
- . April 30, 2026
“The June 1967 defeat was tantamount to an alarm bell that aroused the dormant Arab consciousness from its long slumber;
The Sheep Detectives review – cosy doesn’t cover…
- By fromermedia@gmail.com
- . April 27, 2026
Cosy crime gets a CGI spit-shine in Kyle Balda’s likable screen adaptation of Leonie Swann’s 2005 novel ‘Three Bags Full’. First
Rose of Nevada | Mother Mary | Vox Lux (2018)
- By fromermedia@gmail.com
- . April 24, 2026
On Truth & Movies this week, we discuss Mark Jenkin’s Rose Of Nevada and David Lowery’s Mother Mary. For Film
Michael review – legacy management 101
- By fromermedia@gmail.com
- . April 21, 2026
Forget all the bad stuff you ever knew about Michael Jackson. Wipe it from your mind. If you happen to
Departures review – the turbulent journey of…
- By fromermedia@gmail.com
- . April 18, 2026
Like boarding a flight for somewhere promising, only to be met with an emergency landing, Departures never quite reaches the emotional depth
Miroirs No. 3 review – no one is doing it like…
- By fromermedia@gmail.com
- . April 15, 2026
When sad-eyed music student Laura (Paula Beer) is involved in a car crash that leaves her boyfriend dead from an horrific
The Stranger review – filmed like a laconic,…
- By fromermedia@gmail.com
- . April 12, 2026
A confession: I am really not a fan of the French filmmaker Franoçois Ozon. He seems like a lovely chap. Literate, passionate, with
The 2026 Cannes Film Festival line-up is here!
- By fromermedia@gmail.com
- . April 9, 2026
The annual tradition of Cannes head honcho Thierry Frémaux sitting at a little table at the front of a Parisian cinema and