You Don’t Always Have to Be Besties With Your Castmates — OnStage Blog
Johnny J. Gordon(Great performer name) left the following comment, “Cast mates are coworkers. Not automatically your friends. You are not
Queer Tragedy, Queer Joy, and the Space Between — OnStage Blog
Stephen Callum Bryum left an interesting comment. “Is it time to stop over-producing queer tragedy and instead produce queer joy?”
Let Middle-Aged Women Take Center Stage — OnStage Blog
This comment, from Megan Gifford, has been circling my head: “Middle-aged women are the lifeblood of theater, yet almost zero
Give Us an Intermission, Please — OnStage Blog
Kate Peckham put it plainly: if a show runs longer than an hour and a half, it needs an intermission.
Fat Characters & Actors Deserve Better — OnStage Blog
Noah Webster wrote the following: “There need to be more roles written for fat actors that don’t also lock fat
Theatre as a Partner in Environmental Sustainability Awareness in Delta State, Nigeria
By Dennis OBIRE, Cornelius Onyekaba , Eseovwe Emakunu. To raise awareness of environmentally destructive behaviors in their community, faculty and
Choreographing Attention in Spatial-Relational Practices
By Dávid Somló. Dávid Somló discusses key trends in the growing field of spatially focused transdisciplinary performances that center audience
“Some Things Are Meant to Be”
That stillness, the calm acceptance in Beth’s voice, is what makes the song devastating. We expect tragedy to roar, but
“I Know It’s Today” – The Song That Saved Shrek the Musical — OnStage Blog
On paper, it looks like a gag number—three versions of Fiona, little girl, teenager, and adult, sit in her tower
Four Decades, Three Versions, but Only One Real Women Have Curves
By Carlos Morton. For almost forty years, Real Women Have Curves has pulled audiences in with its story of Latine