Process and New Play Development with the Civilians' R&D Group
By Ash Marinaccio, Camille Simone Thomas, Khristián Méndez Aguirre, Lyndsey Bourne, Phoebe Corde. Ash Marinaccio and the 2024-2025 Civilians R&D
“December 24th, 9 pm…” – Make Jonathan Larson Your Christmas Eve Tradition — OnStage Blog
by Chris Peterson Every year, right around now, it happens. My feed fills up with the same line, posted earnestly,
Crafting Autofiction Through Collaboration
By Georgia “George” Evans, SB Tennent. Iranian Girlfriend explores the complex relationship between fact and fiction—a dynamic that played out
Fifteen Years of Growing the Commons
By Jamie Gahlon. Outgoing HowlRound director Jamie Gahlon reflects on fifteen years of commons-based learning, organizing, discourse, and gathering with
A Love Letter to “The Scarlet Pimpernel” — OnStage Blog
by Chris Peterson There are certain musicals that live quietly in the corners of your theatre-loving heart. They are not
How the Ancient Sanskrit Play The Little Clay Cart Resonates Today
By Shereen Saif. Mrichchakatikam (The Little Clay Cart) is known globally, but it had never been performed in Koodiyattam until
The Warmest Musical You Might Be Overlooking — OnStage Blog
by Chris Peterson The other day, someone commented on why the musical Baby hasn’t gotten more love. I absolutely agree.
Decolonial Collaboration Through Voice Work
By Sayda Trujillo, Madeline Sayet. How can voice work enable actors to access their widest range of expression? What happens
Lessons from the BIPOC Critics Lab at Five
By Jose Solís. Since 2020, the BIPOC Critics Lab has trained dozens of emerging critics in craft of criticism. Source
Suzan-Lori Parks's Watch Me Work
By . Watch Me Work, facilitated by Suzan-Lori Parks, is a virtual communal work session for nurturing creativity. Source link