Architecting Organizational Change with Alexandra Meda
By Yura Sapi, Alex Meda. Alexandra Meda, founder of Culture Change Lab, discusses mediation and facilitation at various predominantly white
Master’s Degree Preferred
By Maridee Slater. Maridee Slater invites theatremakers to think beyond graduate school credentials and gatekeepers to preserve the embodied practices
Did “Newsies” Really Need Katherine Plumber? — OnStage Blog
by Chris Peterson I threw on the Newsies pro-shot the other night. You know the one, with Jeremy Jordan as
Toward a Dramaturgy of Healing and Care
By Lizzie Rajchel. The creators of After, There Will Be Flowers want to shift the narratives of intimate partner violence
How Pub Theatres Create a Haven for Independent Performance in the United Kingdom
By Sophie Pell. Pub theatres bring theatre to communities in the United Kingdom through the combined business model of a
If You Audition Non-Union, You’re the Villain — OnStage Blog
Broadway performer, Ashley Wool (How to Dance in Ohio), made the following comment which I found really interesting. “Nobody should
Why “Who I’d Be” from Shrek the Musical Is One of the Best Act One Closers…Ever — OnStage Blog
What makes it brilliant is that it earns its emotion. The first act of Shrek has been all quips and
IETM Focus Bradford 2025
By . Imagine what an expanded Creative Europe might look like. Source link
In Rural Minnesota, This Resident Ensemble Model Thrives
By Robert Hubbard. The Commonweal Theatre Company acts as a model for thriving theatre in a rural setting. Source link
Trans-Inclusive Casting Requires Musical Flexibility — OnStage Blog
Noah Webster submitted this, and it got me thinking, “If musical directors really wanna be trans-inclusive in their casting, they’ve