On Swift Horses review – no wheel reinvention to…
It is hard to watch On Swift Horses without cynically regarding it as Jacob Elordi’s inevitable gay-for-pay moment. For every up-and-coming
The extreme vulnerability of Joaquin Phoenix
Looking at his last four projects, it seems that Phoenix perfected his precise working formula – hyper-ambitious, complex-to-realise films from
The Regulars review – sweet and relatable
Chances are if you’re a fan of the cinema you’ll have been to The Prince Charles Cinema in London’s Leicester Square.
Nobody 2 review – a quick cash grab
After the surprise success of 2021’s John Wick knock-off Nobody, it comes as no surprise that the Hollywood brain trust
My Grandmother Trelotótó review – a world of…
Hoping to resurrect her late grandmother, Júlia, Catarina Ruivo combines family archives with rich visuals in a non-fiction film which successfully
Stans review – mostly the same old thing
There’s no denying that the rise of Eminem was a once-in-a-generation cultural phenom, especially when the poster boy for white rap
Weapons review – fun but familiar horror hijinks
If you’ve been to the cinema in the past few months, specifically to watch a horror film, you might have seen
Freakier Friday review – nothing quite compares…
For many millennials and Gen Z cinephiles, Mark Waters’ Freaky Friday is a cornerstone of early 2000s cinema. The third adaptation of Mary
Bring Her Back + Directors Danny and Michael Phillipou | The Naked Gun | Naked Gun (1988)
On the show this week we discuss Bring Her Back and speak to its delightful directors Danny and Michael Phillipou.
The Naked Gun review – not just more rebooted IP…
A good comedy must be funny; this shouldn’t be a debatable statement, and yet it would seem that as of late,