Slow-Motion Gives Forced Migrants the Chance to Move at Their Own Speed
By Dmitrii Zenkov. To make theatre with forced migrants in Serbia, Dmitrii Zenkov knew he had to slow down. Source
A Conversation with Purva Bedi and Mariana Newhard
By Kristin Marting. On 20 April 2026, TORCHES continues with a conversation with multi-hypenates Purva Bedi and Mariana Newhard. Both
Golden Thread’s Second Decade
By Marina Johnson, Nabra Nelson, Yussef El-Guindi. Playwright Yussef El Guindi reflects on Golden Thread’s pivotal second decade; writing in
On a Theatrical Pilgrimage to See Carolina Bianchi and Cara de Cavalo's Chapter II: The Brotherhood
By Amanda L. Andrei. Amanda L. Andrei crossed continents to see Carolina Bianchi and Cara de Cavalo’s Chapter II: The
Track by Track: “Godspell” – 2011 Broadway Revival — OnStage Blog
This sounds great. Really great, actually. It is one of those endings that just swells in exactly the way you
For Palestinian Theatremakers, the Future Is a Dangerous Question
By Bayan Shbib. The Writing the Future workshop intended to create space where young Palestinian theatremakers’ could articulate their own
Thirty Years of MENA Theatre
By Marina Johnson, Nabra Nelson. Marina and Nabra take a sweeping look at thirty years of Middle Eastern, North African,
Symposium and Book Launch for Latin American Plays in Translation
By . Join us for a conversation about creating theatre across borders, its challenges, and its possibilities; and imagine with
Reflection
By Jan Cohen-Cruz. Contributors share final reflections on the attraction of prison theatre workshops. Source link
Some Theatre Teachers Really Need to Learn the Difference Between Teaching and Killing Dreams — OnStage Blog
by Chris Peterson There is a particular kind of arrogance that seems to show up in theatre training far too