Track by Track: “Godspell” – 2011 Broadway Revival — OnStage Blog
This sounds great. Really great, actually. It is one of those endings that just swells in exactly the way you
For Palestinian Theatremakers, the Future Is a Dangerous Question
By Bayan Shbib. The Writing the Future workshop intended to create space where young Palestinian theatremakers’ could articulate their own
Thirty Years of MENA Theatre
By Marina Johnson, Nabra Nelson. Marina and Nabra take a sweeping look at thirty years of Middle Eastern, North African,
Symposium and Book Launch for Latin American Plays in Translation
By . Join us for a conversation about creating theatre across borders, its challenges, and its possibilities; and imagine with
Reflection
By Jan Cohen-Cruz. Contributors share final reflections on the attraction of prison theatre workshops. Source link
Some Theatre Teachers Really Need to Learn the Difference Between Teaching and Killing Dreams — OnStage Blog
by Chris Peterson There is a particular kind of arrogance that seems to show up in theatre training far too
“The Addams Family” — OnStage Blog
As much as this cast recording benefits from having absolute pros like Nathan Lane, Bebe Neuwirth, Terrance Mann, Kevin Chamberlin,
“The Phantom of the Opera” — OnStage Blog
A full banquet of chaos. This final sequence gives you confrontation, desperation, emotional collapse, mob energy, romance, pity, and just
Pink Fang: Inheriting a Legacy, Building a Future, Connecting Islands
By Mei Ann Teo, Jane Jung, Sara Zatz. The leadership team of Pink Fang reflects on the company’s renaming and
THIS USED TO BE GAY / below 14th Street — Performance and Case Study
By . The performance of THIS USED TO BE GAY / below 14th Street will be followed by a case