A Statement from the Audience Member Who Shouted ‘The Pitt’ References at Isa Briones During ‘Just in Time’ — OnStage Blog
A quick heads-up before anyone starts drafting an angry email: the following is satire. I would like to formally address
Track by Track: “Songs for a New World” (1995 Off-Broadway Recording")
by Chris Peterson For this week’s Track by Track, we are going back to one of those cast recordings that
Reclaiming the Narrative: The MENA Theatre Artists’ Bill of Rights
By Marina Johnson, Nabra Nelson. A decade after landmark convenings, Nabra and Marina revisit the “Middle Eastern American Theatre Artists’
Our Theatres Are Facing Backlash. Here Are Ten Ways to Respond.
By Mariló Núñez, Marlis Schweitzer. Facing Backlash: Performance in the Age of Reactionary Politics gathered Canadian artists and academics to
Investigating Vietnamese Diasporic Theatre through Mary Magdalene, Daughter, Boatperson
By . CHUANG Stage and Fresh Ink Theatre present a staged reading of new Vietnamese play, Mary Magdalene, Daughter, Boatperson, written by
Golden Thread’s Current Decade
By Nabra Nelson, Marina Johnson, Sahar Assaf. This episode is a deep dive into Golden Thread’s evolution. Source link
Track by Track: “The Hunchback of Notre Dame” (Film Soundtrack)
by Chris Peterson It is still kind of unbelievable that The Hunchback of Notre Dame exists as a Disney animated
Slow-Motion Gives Forced Migrants the Chance to Move at Their Own Speed
By Dmitrii Zenkov. To make theatre with forced migrants in Serbia, Dmitrii Zenkov knew he had to slow down. Source
A Conversation with Purva Bedi and Mariana Newhard
By Kristin Marting. On 20 April 2026, TORCHES continues with a conversation with multi-hypenates Purva Bedi and Mariana Newhard. Both
Golden Thread’s Second Decade
By Marina Johnson, Nabra Nelson, Yussef El-Guindi. Playwright Yussef El Guindi reflects on Golden Thread’s pivotal second decade; writing in