“The Addams Family” — OnStage Blog
As much as this cast recording benefits from having absolute pros like Nathan Lane, Bebe Neuwirth, Terrance Mann, Kevin Chamberlin,
“The Phantom of the Opera” — OnStage Blog
A full banquet of chaos. This final sequence gives you confrontation, desperation, emotional collapse, mob energy, romance, pity, and just
Pink Fang: Inheriting a Legacy, Building a Future, Connecting Islands
By Mei Ann Teo, Jane Jung, Sara Zatz. The leadership team of Pink Fang reflects on the company’s renaming and
THIS USED TO BE GAY / below 14th Street — Performance and Case Study
By . The performance of THIS USED TO BE GAY / below 14th Street will be followed by a case
Presence Before Performance at ODIN HOME
By Melvin Ningyao Yen. It only took ten days for ODIN HOME to upend Melvin Ningyao Yen’s approach to making
Suzan-Lori Parks's Watch Me Work
By . Watch Me Work, facilitated by Suzan-Lori Parks, is a virtual communal work session for nurturing creativity. Source link
In the Name of Love
By Jan Cohen-Cruz. In this episode, wonderful and terrible things are done while in the thrall of love. Jan and
Why Those Post-Show Diner Trips Meant Everything — OnStage Blog
by Chris Peterson There is something sacred about a post-show diner trip when you’re a theatre kid. And for me,
A Book Celebration of Late Stage
By . An evening of conversation, performance, and remembrance celebrating the release of Late Stage: Theatrical Perspectives on Age and
How to Fill a Clown Car (Lessons from Julia Proctor’s Clown Gym)
By Michael Amendola. Clown Gym applies the openness and responsiveness of clowning to its organizational structure. Source link