Ready or Not 2: Here I Come review – here comes…
When you have a hit film these days, inevitably the question always arises about a sequel. There’s very little studios love more
Forbidden Fruits – first-look review
Channeling the spirits of movies like Mean Girls and The Craft, Forbidden Fruits follows a group of young women working at a mall as they fight over
Project Hail Mary review – an entertaining…
The sci-fi subgenre of “ordinary man with remarkable but niche skill set ends up reluctantly saving the world” somehow still
Scarlet review – a disappointing offering from an…
Across his two-decade feature career, Mamoru Hosada has stuck to a handful of thematic preoccupations. Family in all its complexity; forgiveness
Resurrection review – see it on the biggest…
Despite a framing device that vaguely ties its disparate stories together, there’s an extent to which Bi Gan’s Resurrection is essentially
If you don’t play, you can’t win: Desert Hearts…
Forty years on, the film is often branded ‘the lesbian Brokeback Mountain’. Though it’s a rather lazy point of comparison (not
A Private Life review – a limp and convoluted…
The sight of Jodie Foster speaking fluent French is the most engaging element of this limp and convoluted psychodrama from
Sirāt review – a truly staggering, major film
Euphoria and devastation are the twin emotional poles that prop up the lopsided big top that is Oliver Laxe’ Sirât,
Diving into the SXSW film line-up
In a landscape where film festivals have had to jostle violently for the attention of sales agents and studios, it helps
The Testament of Ann Lee review – expands the…
The story is delivered through the awed narration of Sister Mary Partington (Thomasin McKenzie), which allows us to enjoy the