Exclusive: Harris Dickinson teams up with a…
At the Cannes Film Festival earlier this year, Harris Dickinson’s directorial debut Urchin premiered to great acclaim, winning the FIPRESCI
LWLies 110: The Frankenstein issue – Out now!
In the back section… Jafar Panahi Marina Ashioti talks to the Iranian legend who discusses his deserving Palme d’Or-winner, It
10% off everything at Rarewaves for LWLies readers
We’ve partnered with our good friends at Rarewaves.com to give our readers a 10% discount on all their items. They offer a treasure
A House of Dynamite review – a skilful and timely…
Now and then it occurs to me that the future of my very existence, as well as that of the
Tron: Ares review – plays like a vapid,…
“The ’80s,” gasps Jared Leto (the eponymous Ares) with something approaching the human emotion of reverence. “Classic,” he says during
The Smashing Machine review – a moving portrait…
Of course there have been inevitable (and not entirely unfair) jokes about The Rock running for an Oscar since The
The Smashing Machine review – a moving portrait…
Of course there have been inevitable (and not entirely unfair) jokes about The Rock running for an Oscar since The
Ellis Park review – prioritises heart over clarity
Therapy, as we know, can take a number of different forms. For Australian multi-instrumentalists and Nick Cave cohort, Warren Ellis, this
Hen – first-look review | Little White Lies
The first image of György Pálfi’s Hen – an extended close-up on a chicken’s cloaca as she lays an egg – might take
Ghost Trail review – subtle to a fault
Jonathan Millet’s Ghost Trail played at the Cannes Film Festival a full year before Jafar Panahi’s Palme d’Or-winning It Was Just